Where The Wild Waits
Where the Wild Waits is inspired by Britain’s wildlife as it exists in the margins — at the edges of woodland, beside rivers, along hedgerows and open fields. These designs focus not on action, but on presence: animals paused, observing, resting, or simply being.
Hares held mid-run, deer standing quietly in long grass, owls in the still hours and otters at play along riverbanks reflect a way of seeing shaped by patience and familiarity. The palette is natural and restrained, allowing form, movement and atmosphere to take precedence over detail.
This collection is about noticing rather than searching. Where the Wild Waits brings a sense of calm attentiveness into the home — a reminder that much of the natural world exists not loudly, but just out of sight.
Where The Hare Runs Free
Two hares move through the landscape together, their bodies stretched mid-run against a darkening sky. The light is low — somewhere between dusk and early dawn — when the world feels briefly emptied of people and the land belongs, once again, to those who know it best.
This print is inspired by the hours when hares are most often seen: moving across open ground with familiarity and intent, alert but unhurried, following paths shaped by habit rather than chance. The moon sits behind them, a quiet witness to a moment rarely shared. It’s not about speed or escape, but about timing — that fleeting window when wildlife moves freely, just before the day begins.
In The Quiet Of The Meadow
Deer move softly through open ground, heads lowered as they graze among low blossom and long grass. The scene feels unhurried and settled, with the animals dispersed naturally across the meadow rather than gathered or posed.
This print is shaped by moments encountered on long, meandering walks through fields and countryside — the kind where you turn a corner and unexpectedly find a deer already there. There’s always a brief pause when it happens, a shared stillness before either of you moves on. Influenced by an ecological way of seeing, the composition reflects deer not as a focal point but as part of a wider system, quietly present within it. It’s about those fleeting, almost private encounters — when wildlife reveals itself briefly, then slips back into the landscape as if it had always been there.
Waiting In The Leaves
Red squirrels pause among soft foliage and blossom, their forms alert yet unhurried, as if listening before deciding where to move next. Leaves and flowers gather closely around them, creating a feeling of shelter and quiet watchfulness rather than open ground.
Now largely absent from much of the mainland landscape, red squirrels remain deeply familiar through memory — creatures many of us feel we know, even if we no longer see them often. This print leans into that sense of fond recognition, placing the squirrels within a space shaped by recollection rather than exact geography.
Drawn from a way of observing nature that values presence over spectacle, the squirrels are shown as part of their surroundings rather than set apart from them. Waiting in the Leaves is about those species that stay with us — noticed, remembered, and quietly carried forward — even as their presence becomes rarer.
At Play By The Riverbank
Otters move through this scene with an easy, unselfconscious energy — weaving, turning and pausing among dense foliage and drifting flowers. The composition captures a moment of play rather than pursuit, where movement feels instinctive and joyful, unburdened by urgency.
Colours are deliberately heightened, allowing the otters to glow against deep blues and vivid pinks, as if the riverbank itself has become part of their motion.
This print is inspired by the quiet excitement of spotting wildlife along a river’s edge — often unexpectedly, often briefly. It reflects the way these encounters stay with you: not as detailed records, but as flashes of movement, colour and feeling.
At Play by the Riverbank celebrates those fleeting moments when nature feels wonderfully alive and entirely unconcerned with being seen.
In The Still Of Summer
Badgers are rarely seen, yet their presence is deeply felt. This print reflects that quiet knowledge — of animals moving through the landscape long after people have passed by, emerging only when the world is calm and undisturbed.
Nestled among dense foliage and soft summer flowers, the badgers here are unhurried and self-contained, sharing space rather than drawing attention. The composition suggests a moment that exists without witnesses: a pause in the long grass, a subtle shift of weight, a sense of life continuing unseen.
Inspired by years of walking familiar paths and knowing what lives alongside them, In the Still of Summer is about absence as much as appearance. It captures the feeling of standing in a place where something has just been — or will be again — when everything is quiet enough.
Learning The Wild
Foxes are endlessly curious — quick to notice, quick to adapt, and always quietly watching. This print captures that sense of playful intelligence, with foxes pausing mid-exploration among soft wildflowers and familiar hedgerow plants.
Their relaxed postures and alert expressions suggest learning through observation: testing boundaries, reading the landscape, and moving confidently through spaces shared with people. There’s a lightness here — a sense of foxes enjoying the world as much as navigating it, guided by instinct and experience rather than urgency.
Inspired by chance encounters on everyday walks, Learning the Wild celebrates those fleeting moments when you spot a fox before it disappears again — a small thrill, a shared glance, and a reminder that the wild is closer than we often realise.
Held By The Water
Ducks drift calmly across the surface, weaving between ripples, leaves and floating flowers, their movement easy and unhurried. This print captures the gentle rhythm of water — soft currents, shared space, and the quiet fascination of watching ducks glide by as they go about their day.
Inspired by familiar walks and small rituals, Held by the Water reflects moments spent lingering at the edge of a pond, noticing how wildlife settles comfortably alongside people. There’s a sense of togetherness here — ducks moving as individuals and as a group, held by the water beneath them.
Playful without being busy, this print is about simple pleasures and repeated moments: returning to the same place, noticing small changes, and finding comfort in scenes that feel both ordinary and deeply familiar.
Before The Light Breaks
Soft-edged birds rest among blossoms and deep blue foliage, their forms emerging from the dark rather than standing fully revealed. This print is set in the quiet hours before sunrise, when the sky is still in shadow but birdsong has already begun to gather.
Inspired by the early morning chorus heard in towns and villages — birds calling beneath streetlights, long before the sun appears — the design isn’t tied to any one species. Instead, these are familiar garden birds as they are sensed rather than identified: heard first, half-seen, known by presence and sound.
Before the Light Breaks captures that suspended moment between night and day, when the world feels hushed yet alive. It’s a print about anticipation — the promise of morning carried on song, before colour fully returns to the sky.
Between Water & Wing
Kingfishers cut through this design in bright arcs of teal and flame, their wings mid-beat as they skim the surface between air and water. Nothing here is settled — each bird is caught in motion, suspended in that split second before a dive or a turn.
This print is inspired by the fleeting nature of encountering kingfishers along rivers and creeks — moments that are often over before you’re sure you’ve seen them. Colour leads the composition: saturated blues, soft botanicals and flashes of orange echo the way these birds register first as light and movement rather than detail.
Between Water and Wing is about transience and precision — the beauty of something wild that never lingers. It captures a moment balanced between elements, where flight, reflection and water briefly meet before disappearing again.
In The Quiet Hours
Owls sit hidden within this print, their watchful eyes emerging softly from layers of night-coloured foliage and bloom. They are present without movement, felt more than seen, held within deep blues, violets and flashes of electric colour that echo the strange vividness of summer darkness.
This design is inspired by the experience of hearing owls often without ever spotting them — calls drifting in from beyond the garden, carried on warm night air when everything else has settled. The palette takes deliberate artistic licence, leaning into the heightened way darkness feels after dusk, where colour seems richer, bolder and slightly dreamlike.
In the Quiet Hours is about listening rather than looking. It captures the magic of those moments when the natural world slips into another rhythm — unseen, alert, and quietly alive just beyond the edge of light.
Drawn To The Light
Moths drift gently through this design, their wings opening and closing as if caught mid-hover. Pale, luminous forms move against layers of blue foliage, creating a sense of quiet motion — never still, never rushed, just held in that space between night and morning.
Inspired by the way moths appear without warning on warm evenings, Drawn to the Light explores instinct rather than destination. The colours are deliberately heightened, echoing the way shapes and tones feel altered after dark, when light becomes a pull rather than a guide.
This print captures a fleeting presence — delicate, transient, and slightly otherworldly — a reminder that much of nature’s activity happens softly, on the edges of our noticing.
In The Keeping Of Bloom
Bees move steadily through this design, circling, returning, and carrying on with quiet intent. Set among soft florals and drifting botanical forms, their presence brings a sense of balance — not hurried, not still, but gently continuous.
This print is inspired by the steady work of bees in gardens and wild spaces alike, where their movement often goes unnoticed even as it shapes everything around it. The palette is warm and softened, allowing the bees to feel held within the bloom rather than placed on top of it.
In the Keeping of Bloom is about connection and care — the unseen threads between plant and pollinator, and the quiet reassurance of nature in motion. It closes Where the Wild Waits with a feeling of light returning, sound building, and life continuing its subtle, essential work.